David Mamet was one of the first playwrights to address the controversial issue of sexual harassment in a production launched at the Orpheum Theatre in New York. The ambiguity of the topic and the tenuous line separating the roles of victim and perpetrator suggested the image of a target formed by alternating a male and a female face, as seen in the early collages. The extreme simplicity of the graphical result ensured that it would stand out among colorful New York theater posters.