{"id":5616,"date":"2017-10-02T16:02:23","date_gmt":"2017-10-02T18:02:23","guid":{"rendered":"http:\/\/www.ricolins.com\/?post_type=portfolio&p=5023"},"modified":"2021-01-11T16:22:36","modified_gmt":"2021-01-11T19:22:36","slug":"limpa-linda-muda","status":"publish","type":"portfolio","link":"https:\/\/www.ricolins.com\/en\/portfolio\/limpa-linda-muda\/","title":{"rendered":"Limpa, Linda, Muda"},"content":{"rendered":"

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The series of posters \u201cLimpa, Linda, Muda\u201d and \u201cO Futuro: Adeus Pertences\u201d were printed during the same day at Gr\u00e1fica Fidalga during the exhibition \u201cManifesto Gr\u00e1fico\u201d at Espa\u00e7o Cultural Porto Seguro \u201d, in S\u00e3o Paulo. <\/span><\/p>\n

The first series is the result of a graphic comment resulting from the Cidade Linda project that was initiated in 2017 by the City Hall in order to continue the 2006 Clean City project. Both political actions suppressed graffiti on the city walls and drastically affected the production of street posters, causing the almost dismantling of some of the most traditional printing companies in S\u00e3o Paulo, including Gr\u00e1fica Fidalga. <\/span><\/p>\n

With the same intention and approach, the second series focuses on the process of dilapidation of public assets established at the federal level underway during the years of the Temer government.<\/span><\/p>\n

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S\u00e3o Paulo, 2017<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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