{"id":5614,"date":"2024-05-15T19:17:20","date_gmt":"2024-05-15T22:17:20","guid":{"rendered":"http:\/\/www.ricolins.com\/?post_type=portfolio&#038;p=4935"},"modified":"2025-12-10T12:06:36","modified_gmt":"2025-12-10T15:06:36","slug":"kulturrevolution-2","status":"publish","type":"portfolio","link":"https:\/\/www.ricolins.com\/en\/portfolio\/kulturrevolution-2\/","title":{"rendered":"KulturRevolution"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;65&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;0&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-wayh&#8221; back_image=&#8221;2687&#8243; parallax=&#8221;yes&#8221; overlay_color=&#8221;color-wayh&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; bottom_divider=&#8221;step_2_3&#8243;][vc_column width=&#8221;1\/1&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;3&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; align_medium=&#8221;align_center_tablet&#8221; medium_width=&#8221;0&#8243; align_mobile=&#8221;align_center_mobile&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading auto_text=&#8221;yes&#8221; heading_semantic=&#8221;h3&#8243;][\/vc_custom_heading][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; align_medium=&#8221;align_center_tablet&#8221; medium_width=&#8221;0&#8243; align_mobile=&#8221;align_center_mobile&#8221; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243;][vc_column_text]Rico Lins has collaborated with <strong>KulturRevolution<\/strong> magazine since its founding in 1982. Dedicated to discourse theory, this academic publication \u2013 created and edited by professors at the University of Bochum in Germany \u2013 proposed an attitude that is editorially and graphically consistent with the content.<\/p>\n<p>Opting for this analogical process required much graphic experimentation in order to simulate and explain the color separations to the printer, with the superimposition and dovetailing of three layers, each with visual elements and specifications corresponding to the printing of each color. The success of the end result of these covers which, before printing, look like a totally fragmented analog project, depended not only on the designer\u2019s effort to predict the sum total of the colors, but on the printing firm\u2019s comprehension of all the technical indications. This kind of orchestration always runs the risk of the unexpected.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_right&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; align_medium=&#8221;align_center_tablet&#8221; medium_width=&#8221;0&#8243; align_mobile=&#8221;align_center_mobile&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243;][uncode_share layout=&#8221;multiple&#8221; no_back=&#8221;yes&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h4>Client<\/h4>\n<hr \/>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"page\" title=\"Page 31\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 18\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 24\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Klartext-Verlag Bochum Hattingen<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h4>Created in<\/h4>\n<hr \/>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;406844&#8243;]<\/p>\n<div class=\"page\" title=\"Page 31\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 17\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 18\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 24\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Paris, S\u00e3o Paulo, London, New York, 1982-2025<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h4>Category<\/h4>\n<hr \/>\n<p>[\/vc_column_text][vc_column_text]Cover + Identity[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;103199&#8243; media_width_percent=&#8221;100&#8243; shape=&#8221;img-round&#8221; border=&#8221;yes&#8221; uncode_shortcode_id=&#8221;121357&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;999086&#8243;]<span data-sheets-root=\"1\">This is probably the most straightforward and graphically simple cover I&#8217;ve ever done. It deals with collective symbolism through AI-based military technology, with the deployment of new American long-range missiles in Germany, which is experiencing a vulnerable historical moment threatened by the possibility of retaliation on its own territory. Since the eagle is a German national emblem, I chose to graphically explore the highly symbolic name of one of these missiles (Dark Eagle) on a sulphurous yellow background, emphasizing a political message with the simplicity of the aggressive silhouette of the bird carrying the missile.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;103074&#8243; media_width_percent=&#8221;100&#8243; border=&#8221;yes&#8221; uncode_shortcode_id=&#8221;170112&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;272090&#8243;]\u201cAnticipating an emergency regime\u201d is the cover theme of KulturRevolution\u2019s 86th issue. The emergency regime established during the pandemic is linked to the alarming threat of war and militarism resulting from the conflict in Ukraine. The support given by the German neo-liberal press to the Emergency Law introduced in Argentina evokes the image of the chainsaw, an icon of Javier Milei&#8217;s campaign that inspired the magazine&#8217;s cover with the edition&#8217;s title stamped on its blades.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;0&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;631038&#8243;]<\/p>\n<p style=\"text-align: right;\">\u201cHistorical analogies\u201d is the title of issue #24 of the magazine and the theme is revisited and updated in this issue #85. In this new version, the focus is on more recent events and the figure of the English statesman Neville Chamberlain and the \u201cAppeasement\u201d, his 1932 conciliation policy, echoes with the stance of the German Angela Merkel in 2022. The umbrella, an icon then adopted by Chamberlain is the link between these two moments and personalities.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;103060&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;165621&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;0&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;103057&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;675548&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;105505&#8243;]The issue #84 addresses \u201cIconoclasm\u201d from a current perspective, going beyond historical religious references. After all, from a graphic point of view, the theme triggered a revolution in visual languages \u200b\u200bfrom the artistic avant-gardes of the early 20th century with Dadaism, Surrealism and Russian Constructivism until today.<br \/>\nThe explicit reference to the powerful graphic icon created in 1928 by the German artist John Heartfield for the cover of the political newspaper Die Rote Fahne establishes not only a visual link between two distinct moments in the German left-wing press but, with the ambiguous gesture of two dry cuts on the original image\u2014one from right to left and the other from left to right\u2014alludes to today&#8217;s radical international polarization.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;441241&#8243;]\u201cThe Reversal of an Era\u201d was the theme of KulturRevolution n\u00ba 83, which celebrated its 40 years of existence with a double dose. Having as its central focus the setback generated by the war in Ukraine, marked by the Russian &#8220;Z&#8221; symbol, it also features an unprecedented interview with Michel Foucault. The cover created recalls the edition dedicated to the French philosopher in 1987, which can be seen in the attached image.[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;103056&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;273664&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;103055&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;491932&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;161657&#8243;]\u201cBased on facts\u201d is the title of issue 81 of KulturRevolution, which questions scientific truth. The image of \u201cBarbie&#8217;s X-Ray\u201d immediately came to mind, a work by my dear friend Guto Lacaz, a master at dealing with so-called \u201cscientific truths\u201d with humor. Very rarely have I used someone else&#8217;s work in this long series of covers, but in this case, Guto brought the exception that perfectly fit the theme, the magazine&#8217;s first completely black and white cover&#8230;[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;159533&#8243;]<\/p>\n<p style=\"text-align: right;\">\u201cNormalizable sexualities\u201d is the theme of the cover of the 80th edition of the magazine KulturRevolution carried out in partnership with the Dresden Hygiene Museum, where an image that refers to male and female figures carries the logo and the title of the edition tattooed on its body next to a large variety of utensils and sex toys available on the internet.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;103006&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;214435&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner width=&#8221;1\/1&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;102545&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: left;\">Launched in December 2020, issue No. 79 of KulturRevolution magazine brings the question \u201cBeyond Corona: which New Normal?\u201d on the cover and think over the parameters of normality due to the Covid-19 pandemic.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;0&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: right;\"><strong>Deutsche Kopflanger<\/strong><\/p>\n<p style=\"text-align: right;\">The title of issue 77 of the magazine refers to a satirical expression created by Bertolt Brecht to refer to intellectuals who sell their wisdom to the interests of capitalism. The legendary figure of Saint Denis, a Catholic martyr who, although beheaded, walked many kilometers to the place where he wanted to be buried, served as the theme for the cover that follows the configuration of the European Union flag as a halo around the character&#8217;s head.<\/p>\n<p>[\/vc_column_text][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner width=&#8221;1\/1&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;84874&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;5364&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]Cover for issue 76 of the magazine, which has as its theme migratory flows and the controversial intergovernmental agreement promoted by the UN, which aims to face the current challenges associated with migration, reinforcing cooperation between the signatory nations for regional sustainable development.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: right;\">The cover of issue 74 of the publication proposes to think about the question of Frontiers, whether they are cultural, identity or ideological.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;5219&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_gallery el_id=&#8221;gallery-149035&#8243; type=&#8221;carousel&#8221; medias=&#8221;4965,4958,4957&#8243; carousel_lg=&#8221;1&#8243; carousel_md=&#8221;1&#8243; carousel_sm=&#8221;1&#8243; gutter_size=&#8221;3&#8243; carousel_interval=&#8221;3000&#8243; carousel_navspeed=&#8221;400&#8243; carousel_loop=&#8221;yes&#8221; carousel_nav=&#8221;yes&#8221; carousel_nav_mobile=&#8221;yes&#8221; carousel_dots=&#8221;yes&#8221; carousel_dots_space=&#8221;yes&#8221; carousel_dots_mobile=&#8221;yes&#8221; carousel_dots_inside=&#8221;yes&#8221; stage_padding=&#8221;0&#8243; single_overlay_opacity=&#8221;50&#8243; single_padding=&#8221;2&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text align=&#8221;Right&#8221;]<\/p>\n<p style=\"text-align: left;\">The cover for the 72nd edition of KulturRevolution magazine &#8220;Populism: Right, Left, Center?&#8221; Has as its theme the current world rise of populism, with theoretical references by political scientist Ernesto Laclau and Antonio Gramsci, portrayed inside the magazine with the mark of the Spanish political party Podemos.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: right;\">\u201cAntagonism\u201d is the central theme of this issue. Depicted in the Syrian flag colors, the cover reveals a refugees exodus photo in negative.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;4407&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;2686&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text align=&#8221;Right&#8221;]<\/p>\n<p style=\"text-align: left;\">To celebrate the ongoing dialogue of the magazine with current events and issues, the cover commemorating its 20th anniversary uses the image of a traditional black comb over the rebellious and colorful hair of German youth entangled in the magazine\u2019s name.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: right;\">The &#8220;Coca-cola&#8221; cover story questions the existence of a collectivity in the 21st century, represented by the photo of a soft drink vendor cart on a Rio de Janeiro beach, by Brazilian photographer Edson Meirelles.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;2682&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;2681&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text align=&#8221;Right&#8221;]<\/p>\n<p style=\"text-align: left;\">The &#8220;Coca-cola&#8221; cover story questions the existence of a collectivity in the 21st century, represented by the photo of a soft drink vendor cart on a Rio de Janeiro beach, by Brazilian photographer Edson Meirelles.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: right;\">Links\/Rechts.\u00a0A tango footstp called \u201cturn to right\u201d is used as a caricature of the change of political power in\u00a0Germany.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;2680&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;4151&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text align=&#8221;Right&#8221;]<\/p>\n<p style=\"text-align: left;\">This issue`s cover is a reflection on how simplistic and distorted the discourse of sustainability is when based exclusively on ecological issues.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: right;\">A series of romanticized interpretations of Nazism emerged in German cinema, literature and mass culture, and this Ken doll performing a Nazi step became the reincarnated prototype of the white Aryan man.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;4150&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;2683&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text align=&#8221;Right&#8221;]<\/p>\n<p style=\"text-align: left;\">A multitude of rapid learning methods has spread the idea of rapid (and superficial) knowledge acquisition.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-jevc&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_gallery el_id=&#8221;gallery-214048&#8243; 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