{"id":4442,"date":"2016-06-03T18:41:05","date_gmt":"2016-06-03T20:41:05","guid":{"rendered":"http:\/\/www.ricolins.com\/?post_type=portfolio&p=4442"},"modified":"2021-01-11T17:30:36","modified_gmt":"2021-01-11T20:30:36","slug":"design-dialogue-poland-brazil","status":"publish","type":"portfolio","link":"https:\/\/www.ricolins.com\/en\/portfolio\/design-dialogue-poland-brazil\/","title":{"rendered":"Design Dialogue: Poland Brazil"},"content":{"rendered":"

[vc_row row_height_percent=”65″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_color=”color-wayh” back_image=”4435″ parallax=”yes” kburns=”yes” overlay_color=”color-wayh” overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ bottom_divider=”step_2_3″ shape_dividers=””][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h3″][\/vc_custom_heading][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”2\/3″][vc_column_text]Posters created for the exhibition “Design Dialogue: Poland Brazil” brings together historical and contemporary posters from Brazil and Poland at the Museum of Modern Art in Rio.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_right” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/3″][uncode_share layout=”multiple” no_back=”yes”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]<\/p>\n

Created in<\/h4>\n
\n

[\/vc_column_text][vc_column_text]<\/p>\n

\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n

S\u00e3o Paulo, 2016<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]<\/p>\n

Category<\/h4>\n
\n

[\/vc_column_text][vc_column_text]Poster[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″][vc_column_text]Rico Lins is part of a select group of five Brazilian graphic designers from each country invited to create two posters each one addressing the relationship between the two nations. Curated by Ewa Solarz, Gabriel Patroc\u00ednio and Magda Kochanowska and also with the participation of the Muzeum Plakatu Warsaw<\/a>. Besides these twenty posters, a show of iconic product designs from both countries complete this unprecedented cultural dialogue. A special edition of silkscreen printed posters are available for sale.[\/vc_column_text][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=”0″][\/vc_column][\/vc_row][vc_row mobile_center=”yes”][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”4435″ media_width_percent=”100″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=”0″][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]The complete list of participants is composed by Rico Lins, Fabio Lopez, Great Circular, Studio Spring, Bruno Porto, Robert Czajka, Ma\u0142gorzata Gurowska, Marta Ignerska, Dawid Ryski and Tymek Jezierski (posters) and Vzor designers, Furf Design, Agnieszka Bar Jader Almeida, Alicja Patanowska, Holaria, Kosmos Project, Sergio Matos, Zieta Prozessdesign and Sundays T\u00f3tora (products).<\/p>\n

Rico Lins presented his works as follow:[\/vc_column_text][\/vc_column][vc_column width=”1\/6″][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/6″][\/vc_column][vc_column width=”5\/6″][vc_column_text]<\/p>\n

Travel and see new places is to nurture memories and reminiscences.<\/p>\n

When I visited Poland in the late 70s, I was a young man in love with Polish posters and bought several of them in public fairs in Poznan and Warsaw. I was delighted to see that were accessible to my eyes, hands and pocket.<\/p>\n

The Christ the King Statue in \u015awiebodzin, Poland, and Christ the Redeemer in Rio de Janeiro, invite with open arms both faithful and tourists. These are postcards of giant formats that resemble and compete in their Majesties, sizes, weights and wingspans. Symbols of the two countries, contact points in the foreigners tourist imagination, both are invited to visit their countries of origin.<\/p><\/blockquote>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=”0″][\/vc_column][\/vc_row][vc_row mobile_center=”yes”][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”4436″ media_width_percent=”100″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=”65″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_color=”color-wayh” back_image=”4435″ parallax=”yes” kburns=”yes” overlay_color=”color-wayh” overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ bottom_divider=”step_2_3″ shape_dividers=””][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ […]<\/p>\n","protected":false},"author":1,"featured_media":4435,"parent":0,"menu_order":36,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[283],"_links":{"self":[{"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/portfolio\/4442"}],"collection":[{"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/comments?post=4442"}],"version-history":[{"count":12,"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/portfolio\/4442\/revisions"}],"predecessor-version":[{"id":102796,"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/portfolio\/4442\/revisions\/102796"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/media\/4435"}],"wp:attachment":[{"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/media?parent=4442"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.ricolins.com\/en\/wp-json\/wp\/v2\/portfolio_category?post=4442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}