{"id":2340,"date":"2015-07-28T17:20:47","date_gmt":"2015-07-28T17:20:47","guid":{"rendered":"http:\/\/www.ricolins.com\/?post_type=portfolio&p=2340"},"modified":"2021-01-12T17:54:28","modified_gmt":"2021-01-12T20:54:28","slug":"tropicalia","status":"publish","type":"portfolio","link":"https:\/\/www.ricolins.com\/en\/portfolio\/tropicalia\/","title":{"rendered":"Tropic\u00e1lia"},"content":{"rendered":"

[vc_row row_height_percent=”65″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_color=”color-wayh” back_image=”2623″ parallax=”yes” kburns=”yes” overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ bottom_divider=”step_2_3″ shape_dividers=””][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h3″][\/vc_custom_heading][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”2\/3″][vc_column_text]<\/p>\n

The editorial project “Tropic\u00e1lia: ou Panis et Circencis”, idealized by Ana de Oliveira, and graphic concept of + Studio, invites brazilian\u00a0thinkers and artists to reinterpret, through articles and illustrations, the songs of the 1968`s homonymous musical album.
\nJorge Mautner, Hermano Vianna, Viviane Mos\u00e9, Ant\u00f4nio Ris\u00e9rio, Aguilar, Ben\u00e9 Fonteles, Br\u00e1ulio Tavares, Christopher Dunn, Frederico Coelho, Manuel da Costa Pinto, Newton Cannito e Noemi Jaffe sign rehearsals with theoretical considerations or poetic-philosophical inflections about the songs.<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_right” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/3″][uncode_share layout=”multiple” no_back=”yes”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]<\/p>\n

Created in<\/h4>\n
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[\/vc_column_text][vc_column_text]S\u00e3o Paulo, 2010[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]<\/p>\n

Category<\/h4>\n
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[\/vc_column_text][vc_column_text]Editorial[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″][vc_single_image media=”2630″ media_width_percent=”100″][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=”0″][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image media=”2626″ media_width_percent=”100″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=”0″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_column_text]Musical works have also been translated into languages \u200b\u200bof visual arts in works created by Guto Lacaz, Gringo Cardia, Barros Lenora, Andr\u00e9 Vallias, Aguilar, Krenak, Ernane Cortat, Ray Vianna, Leandro Feigenblatt, Nelson Provazi, Adriana Ferla, Rico Lins and the international art collective assume vivid astro focus.<\/p>\n

Each of the 12 tracks was granted an article and a poster, seeking to reveal new meanings awaken by the lyrics and melodies of this anthology Disc Jockey manifesto, collective work of Caetano Veloso, Gilberto Gil, Gal Costa, Mutantes, Tom Z\u00e9, Torquato Neto, Capinam and conductor and arranger Rog\u00e9rio Duprat.
\nAll copies of the book come in a semi-transparent box, accompanied by posters, whose dimensions are 93cmx62cm. At the launch event, open to the general public, posters were enlarged especially for the occasion.<\/p>\n

To learn more about this publication visit:<\/p>\n

www.tropicalia.com.br\/livro<\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”2956″ media_width_percent=”100″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space empty_h=”0″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”5″ bottom_padding=”5″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_use_pixel=”yes” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″ column_width_pixel=”900″][\/vc_column][vc_column width=”2\/3″][vc_custom_heading heading_semantic=”h3″ text_size=”h3″]<\/p>\n

“(\u2026) This book is a reflection on the disco-manifesto Tropic\u00e1lia, but also a reflection of what he sowed. The different approaches, styles, views and graphic creations from its twelve songs, illustrate, in its diverse mosaic, how those achievements embodied in our cultural reality the spirit of invention, mixing, of vital affirmation of our potential.<\/p>\n

The Panis et Circensis was just the beginning. “<\/p><\/blockquote>\n

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