{"id":103639,"date":"2020-12-03T16:19:01","date_gmt":"2020-12-03T19:19:01","guid":{"rendered":"https:\/\/www.ricolins.com\/?post_type=portfolio&p=103639"},"modified":"2025-12-15T10:29:10","modified_gmt":"2025-12-15T13:29:10","slug":"chile","status":"publish","type":"portfolio","link":"https:\/\/www.ricolins.com\/en\/portfolio\/chile\/","title":{"rendered":"Chile 1973\/2023"},"content":{"rendered":"

[vc_row row_height_percent=”65″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_color=”color-wayh” back_image=”103641″ parallax=”yes” kburns=”yes” overlay_color=”color-wayh” overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ bottom_divider=”step_2_3″ uncode_shortcode_id=”998534″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette”][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h3″][\/vc_custom_heading][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”2\/3″][vc_column_text uncode_shortcode_id=”646523″]With a gap of five decades, Chile revisits its legacy, and the images of it and Gabriel Boric connect around the long, slender silhouette of the country.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_right” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/3″][uncode_share layout=”multiple” no_back=”yes”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]<\/p>\n

Client<\/h4>\n
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Criado em<\/h4>\n
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S\u00e3o Paulo, 2023<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text uncode_shortcode_id=”170567″]<\/p>\n

Categoria<\/h4>\n
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[\/vc_column_text][vc_column_text uncode_shortcode_id=”183687″]Cartaz[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_single_image media=”103640″ media_width_percent=”75″ alignment=”center” uncode_shortcode_id=”147507″][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”163693″]With a gap of five decades, Chile revisits its legacy, and the images of it and Gabriel Boric connect around the long, slender silhouette of the country.<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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