{"id":103064,"date":"2023-07-31T11:27:23","date_gmt":"2023-07-31T14:27:23","guid":{"rendered":"https:\/\/www.ricolins.com\/?post_type=portfolio&p=103064"},"modified":"2025-11-11T15:33:42","modified_gmt":"2025-11-11T18:33:42","slug":"design-issues","status":"publish","type":"portfolio","link":"https:\/\/www.ricolins.com\/en\/portfolio\/design-issues\/","title":{"rendered":"Design Issues"},"content":{"rendered":"

[vc_row row_height_percent=”65″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_color=”color-wayh” back_image=”103072″ back_position=”center top” parallax=”yes” overlay_color=”color-wayh” overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ bottom_divider=”step_2_3″ uncode_shortcode_id=”969087″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_dividers=””][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h3″][\/vc_custom_heading][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”2\/3″][vc_column_text uncode_shortcode_id=”194802″]Design Issues is the first American academic journal to examine the history, theory, and criticism of design. Founded in 1984, it is published online and in hard copy by the prestigious MIT Press.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_right” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/3″][uncode_share layout=”multiple” no_back=”yes”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]<\/p>\n

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[\/vc_column_text][vc_column_text uncode_shortcode_id=”120526″]MIT Press[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]<\/p>\n

Created in<\/h4>\n
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S\u00e3o Paulo, 2024<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ override_padding=”yes” column_padding=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]<\/p>\n

Category<\/h4>\n
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[\/vc_column_text][vc_column_text uncode_shortcode_id=”539135″]Cover[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image media=”103065″ media_width_percent=”100″ uncode_shortcode_id=”212983″][\/vc_column][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”449072″]The publication provokes investigation into the cultural and intellectual issues surrounding design and includes theoretical and critical articles by professional and academic contributors, extensive book and exhibition reviews, and visual sequences. Special issues edited by guests address specific topics, such as design history, human-computer interface, service design, organization design, design for development and product design methodology.
\nThe phrase \u201cForm Follows Function\u201d is one of the pillars of functionalist design and \u201cForm Follows Friction\u201d is my counterpoint on this topic. Originally created as a typographic poster, printed by Gr\u00e1fica Fidalga in S\u00e3o Paulo, this version for the cover of Design Issues is printed in black and gold. Attached are two preliminary designs for the same cover.[\/vc_column_text][\/vc_column][\/vc_row][vc_row empty_h=”0″][vc_column width=”1\/1″][vc_empty_space empty_h=”0″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image media=”103066″ media_width_percent=”100″ uncode_shortcode_id=”857722″][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”103067″ media_width_percent=”100″ uncode_shortcode_id=”163898″][\/vc_column][\/vc_row][vc_row empty_h=”2″][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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